In early summer 1990 Audrey Hepburn traveled to Paris to film in gardens of renown and beauty for the acclaimed PBS international series Gardens of the World with Audrey Hepburn. In her award-winning role as host, as herself, Audrey saw a rare opportunity to bring forth beauty “in an honest, poetic way,” to be “lovely for audiences,” and to awaken our senses “to the fragility of our beautiful planet.“

Audrey’s personal vision for the series included fusing the aesthetic and historical aspects of the gardens with the arts of theatre, painting, music, and dance. Here, a glimpse of jardins à la française as Audrey knew and loved them, and as they beautifully are today.
Audrey Hepburn breathing in the beauty of her mise-en-scène in between takes — while filming what was to become her Emmy-award winning performance:
Audrey Hepburn (host), Outstanding Individual Achievement,
45th Primetime Emmy Awards, Informational Programming,
Gardens of the World, PBS, Flower Gardens episode.

Giverny, June 11, 1990
Almost to the day, ten years after Claude Monet’s gardens first opened to the public.
Photo Insert
Director of Photography Jeri Sopanen and crew
Production Still Photos by Mick Hales
Copyright Perennial Productions, Inc.

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“I must have flowers. Always and always.”
― Claude Monet

Above: The Grand Allee • Photo © Jovannig@123rf

Camille Saint-Saens: Piano concerto no. 5 in F major., opus 103, Allegro animato • Royal Concertgebouw Orchestra
Conducted by Andris Nelsons
Jean-Yves Thibaudet, piano

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All Gardens of the World with Audrey Hepburn parks and gardens are illustrative of a distinct aesthetic or purpose. As well as broader concepts of cultural or environmental importance.

Robert “Robbie” Wolders, Audrey’s love and life partner, who was by Audrey’s side throughout the production (as well as for all her travels and UNICEF work), wrote of Audrey and Gardens.

“The making of Gardens of the World was an intensely personal and creative process for her. She immersed herself not only in the beauty of the gardens, but also in their origins and evolution.

She recognized how the gardens that so enthralled her during filming were attributable to the care and stewardship by previous generations, sometimes through centuries.

It also came at a time when Audrey had become deeply involved with her UNICEF work, which served to even further increase her awareness of the fragility of life and nature – of the need to nurture our children and their environment.

Looking back now, [in 2016] I find it extraordinary how Audrey’s most closely held hopes for the series – for the appreciation of gardens and nature, for the well-being of our beautiful planet for future generations – are perhaps even more relevant today.”
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Northeast aerial view of Jardin du Luxembourg
from the Mount Parnasse panoramic terrace.

Photo copyright Bennymarty123rf.com

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Claude Debussy’s Children’s Corner Suite
1st Movement, Doctor Gradus ad Parnassum

1913

1993


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